Online Jazz

Online Jazz [2.9.2020]

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Online Jazz

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Lindsey Webster — Lost One. Cindy Bradley — Snack Grouch. Euge Groove — Dirty Dozen. Chris Standring — Shake. The slash notation in this standard looks intimidating for beginners but is actually quite straight-forward once you understand what is going on harmonically.

Blue in Green Piano Lesson - This tutorial was created as part of the PianoGroove Pro membership package but was released to give students an idea of the level of complexity of Pro Tutorials.

The tune contains lots of extended and altered harmony which is challenging to understand for beginner.

We look at more complex ways to voice chords such as upper structures and altered left hand voicings. The Miles Davis recording on his album 'Kind of Blue' is essential listening for a student looking to learn this tune.

PianoGroove Pro is an online jazz piano course that covers more detailed and advanced topics. These jazz piano tutorials are focused towards intermediate students who understand the basics and want to take their playing to the next level.

The pro lessons on chords and voicings delve deeper into altered jazz harmony. Altered voicings are usually associated with the minor progression but we can also apply altered jazz chords to any major progression.

Adding these alterations will spice up the sound of major s and create more interest in your playing.

An important area of study in altered harmony is upper structure triads. Sometimes abbreviated to upper structures, these two handed voicings are the most effective way to learn and memorise chord shapes for complex altered dominant sounds.

Other lessons in this series cover advice and guidance for practicing upper structures and also a dedicated lesson on applying upper structures to jazz standards.

Whilst there are almost infinite possibilities for voicing dominant chords with alterations and upper structures, there are less possibilities for major and minor chords.

The major chord voicings lesson provides a range of voicings that work well under each note of the Lydian mode.

The Lydian mode is the 4th mode of the major scale and the majority of the time the melody over a major chord will be one of these 7 notes.

Memorising the formulas of these voicings will allow you to quickly and easily find major chord voicings when playing through jazz standards.

The minor chord voicings lesson provides a range of voicings that work well under each note of the Dorian mode. The Dorian mode is the 2nd mode of the major scale and the majority of the time, the melody note over minor chords will be one of these 7 notes.

Internalising the construction of these minor voicings will equip you with an arsenal of minor voicings for use in jazz standards, leads sheets and improvisation.

Cluster voicings are another useful type of voicing. These dense fragments of chords are unusual as they don't always contain the 2 'essential chord tones' which are the 3rd and 7th of the chord.

This can lead to harmonic ambiguity which adds interest and tension to a performance providing much needed contrast to more traditional closed position chord voicings.

Common chord progressions can be spread across both hands to achieve a bigger sound and to access specific chord extensions and alterations.

The 2 handed lesson introduces some new chord voicings using colour tones such as b9s and 9s to highlight altered harmony. Sometimes it can be a nice touch to add your own chords when playing through jazz standards.

The easiest way to do this is to gain an understanding of passing chords and how to spot opportunities to add these to your arrangements.

Passing chords are great for making your arrangements sound more inventive and original. Chords and scales share a very intimate relationship.

This relationship is known as chord scale theory. All chords imply a scale, or in some cases multiple scales and these scales are used extensively for jazz improvisation.

Something to recognise is that the word 'mode' is used interchangeably with scale. Modal Jazz - which originated in the late s and s - is where these 'musical modes' or scales are used to create the harmonic framework of a tune.

Miles Davis was a pioneer in this movement with his revolutionary album 'Kind of Blue'. The first step in understanding modal theory is to learn and memorise the modes of the major scale.

Once you understand how to construct the 7 modes of the major scale, the next step is to learn the melodic minor modes. The modes of the melodic minor scale epitomise the sound of modern jazz improvisation.

Of these 7 modes, the melodic minor mode, lydian dominant mode and altered mode are the 3 most useful. It is important for jazz musicians to understand the construction of the modes and also be able to identify where the modes can be applied.

A short lesson on choosing modes and chord scales provides a two step process which will allow you to identify and select suitable modes when playing over jazz standards.

This 2 step approach is then applied in context of a jazz standard in the lesson improvising over Blue in Green. An incredibly useful and exotic sounding scale is the half whole diminished scale.

As the name suggests, the scale alternates half and whole steps until the scale starts again. The symmetrical interval structure means that there are only 3 different half whole diminished scales to learn for all 12 keys.

This scale is useful for playing over minor s and outlines the altered chord tones b9, 9 and 11 but the natural 13 - remember not to play this scale over chords containing a b13!

Some of these tutorials are up to 40 minutes long so it will take a while to work through the material covered in these lessons.

You can also find a selection of Christmas jazz piano lessons that are available for download. These christmas jazz piano tunes are perfect to entertain your family and friends over the holidays!

Here is an overview of the Pro jazz standard lessons:. If you turn up to a jam session you can be sure that this number will be called! In this lesson we begin by playing simple jazz piano voicings containing the root, 3rds and 7ths.

We then create some bigger voicings using extensions, alterations and upper structure harmony. We also create both a ballad and an up-tempo arrangement so that you have a few different ways of playing over these important changes.

Again we create both a ballad and up tempo arrangement and we spend time on adding interesting passing chords to liven up the changes.

We also look at some new applications of quartal harmony which is voicings based on stacked fourths. My Funny Valentine Lesson - 36 minutes in length, this is one of the longest tutorials on the website.

The lesson starts by breaking down Herbie Hancock's piano introduction from the Miles Davis Sextet version of the tune. We then play through the form using left hand voicings and begin to build up a solo arrangement.

One of the challenging aspects of 'My Funny Valentine' is the low register of the melody. This can be overcome by utilising the higher octaves to quote the melody.

Spirituals, protest songs, and music that highlights the African roots of Jazz. Bossa nova, slow funk jams, and ballads with a beat -- mellow jazz that won't put you to sleep.

We look back six decades to what is arguably the greatest single year in recorded Jazz. Blend Share. Please rate song:. Ban artist Ban song.

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Online Jazz - Schon als Jugendlicher fühlte er den Jazz

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Online Jazz - Ella Fitzgerald

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Once you understand how to construct the 7 modes of the major scale, the next step is to learn the melodic minor modes.

The modes of the melodic minor scale epitomise the sound of modern jazz improvisation. Of these 7 modes, the melodic minor mode, lydian dominant mode and altered mode are the 3 most useful.

It is important for jazz musicians to understand the construction of the modes and also be able to identify where the modes can be applied.

A short lesson on choosing modes and chord scales provides a two step process which will allow you to identify and select suitable modes when playing over jazz standards.

This 2 step approach is then applied in context of a jazz standard in the lesson improvising over Blue in Green. An incredibly useful and exotic sounding scale is the half whole diminished scale.

As the name suggests, the scale alternates half and whole steps until the scale starts again. The symmetrical interval structure means that there are only 3 different half whole diminished scales to learn for all 12 keys.

This scale is useful for playing over minor s and outlines the altered chord tones b9, 9 and 11 but the natural 13 - remember not to play this scale over chords containing a b13!

Some of these tutorials are up to 40 minutes long so it will take a while to work through the material covered in these lessons.

You can also find a selection of Christmas jazz piano lessons that are available for download. These christmas jazz piano tunes are perfect to entertain your family and friends over the holidays!

Here is an overview of the Pro jazz standard lessons:. If you turn up to a jam session you can be sure that this number will be called!

In this lesson we begin by playing simple jazz piano voicings containing the root, 3rds and 7ths. We then create some bigger voicings using extensions, alterations and upper structure harmony.

We also create both a ballad and an up-tempo arrangement so that you have a few different ways of playing over these important changes.

Again we create both a ballad and up tempo arrangement and we spend time on adding interesting passing chords to liven up the changes.

We also look at some new applications of quartal harmony which is voicings based on stacked fourths.

My Funny Valentine Lesson - 36 minutes in length, this is one of the longest tutorials on the website. The lesson starts by breaking down Herbie Hancock's piano introduction from the Miles Davis Sextet version of the tune.

We then play through the form using left hand voicings and begin to build up a solo arrangement. One of the challenging aspects of 'My Funny Valentine' is the low register of the melody.

This can be overcome by utilising the higher octaves to quote the melody. This tune contains one of the most famous examples of the minor line cliche - it's important to understand this common progression.

We start off with some simple two handed voicings and then gradually increase the difficulty and the complexity of the chords and voicings in the arrangement.

There is good amount of space in the melody and chord changes which makes this a great tune for adding movement and interest in our left hand.

The form of 'In A Sentimental Mood' is very accessible making this a perfect jazz standard tutorial for beginners. Written in the key of D minor, it also a useful tune for practising bluesy licks and riffs in between the chord changes.

Whilst the form is tricky to navigate, it presents the student with a fantastic sequence of chords to practise upper structures and other altered dominant chord voicings.

Body and Soul Tutorial - Body and Soul is the most widely recorded jazz standard - pretty much every great jazz musician has recorded a version.

The tune is popular due to the rich chord sequences and interesting modulations and changes. These features make Body and Soul a great tune for exploring jazz piano chord reharmonisation.

The tune is versatile as it can be played as a ballad and also at a medium to up tempo. This lesson provides an arrangement for both of these styles, starting of as a freely-played ballad and then turning into a more up-beat swing version for the repeat.

We harmonise the melody with block chords which are great for adding syncopated rhythm to your playing. Round Midnight Tutorial Lesson - Round Midnight is Thelonious Monk's most famous composition and is a great tune for practising the minor progression.

Written in the key of Eb Minor, the 6 flats in the key signature makes the melody challenging to learn. Melodically, the A section of tune is very busy and the fingering can be tricky in places.

It's well worth listening to Monk's arrangement of this tune, his rhythmic placement of chords is unique to his style of jazz piano. Have You Met Miss Jones Tutorial - Have You Met Miss Jones is usually played at faster tempos so we start the tutorial by running through left hand voicings for all of the chords in the changes.

Rootless Left Hand Piano Voicings are particularly suited to up tempo tunes and allow you to play through changes whilst keeping your hand in a small range on the keyboard.

The tune is packed full of minor harmony and so a good understanding of the minor progression is essential. This 30 minute tutorial covers both left hand voicngs and also more complex two handed voicings.

The tune contains a lot of step wise melodies which makes it particularly useful for piano block chords and drop 2 piano voicings. This is one of the most challenging tutorials on PianoGroove and the arrangement contains a lot of upper structure triads and also applications of suspended harmony and block chords.

We jump straight in with some two handed voicings and work through the entire form. The arrangement for These Foolish Things is accessible to beginners so this is a great tutorial if you're just starting out with jazz piano.

The absence of dominant and diminished harmony creates an unusual sound but Bill overcomes this by utilising upper extensions and alterations in the melody and choosing interesting root movement throughout the tune.

Written in the key of C major, the chords are easy to navigate and the form contains many common 25 and progressions. Whilst the lead sheet may look simple, the tune can be enriched with upper structures and chord substitutions making it a great beginner to intermediate jazz piano lesson.

This delightful jazz ballad contains a challenging set of chord changes and numerous s in keys that don't appear very often in the standard repertoire.

The bridge of the tune is particularly tricky to navigate and should be approached slowly with a metronome.

There are sections of the tune where the melody and harmony remains static and so it's down to the performer to add extra interest and keep a sense of forward momentum.

We embellish the dominant chords in the bridge with suspensions resolving to b9 alterations. Understanding how to delay dominant chord resolution with suspensions is a useful skill and is a great tool for adding additional movement to a progression.

On-Demand Jazz Piano Lessons In-depth video lessons on jazz piano chords , jazz piano scales and jazz chord progressions. Beginner Intermediate Advanced Beginner.

Advanced Courses Introductions are used to set the mood of a performance. We look back six decades to what is arguably the greatest single year in recorded Jazz.

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You'll hear a mix of music from both channels! The major chord voicings lesson provides a range of voicings that work well under each note Online Jazz the Lydian mode. Cindy Bradley — Snack Grouch. Euge Groove — Dirty Dozen. Chicago's Casino Entertainment for the Advancement of Creative Musicians. Reich Werden Mit Wetten is good amount of space in the melody and chord changes which makes this a great tune for adding movement and interest in our left hand. Whilst the lead sheet may look simple, the tune can be enriched with upper structures and Casino Paypal Book Of Ra Echtgeld substitutions making it a great beginner to intermediate Snapszer Online piano Bradgarrett. AccuRadio takes Paypal Pin Vergessen of the latest technologies to provide you with the best experience.

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